Friday, May 8, 2009

My First Friend, Ingy




The first friend I ever had was Lucinda "Ingy" Hurley. "Ingy" was pronounced "EEN gee" with a hard "g" sound. I've never known how the Hurley family got "Ingy" out of "Lucinda" but they did.  

From the ages of about 5 to 7 Ingy and I played together all day, everyday. We only lived about a block away from each other.  Ingy and I were both painfully skinny, with me a good half a head taller. Legend has it that we looked pretty damn cute together.  But our time together was brief because my family moved from Piqua, Ohio to Dayton when I was in the third grade.  

Although I didn't give it a thought at the time, I realize now that Ingy was the ultimate tomboy.  She not only wore blue jeans nearly everyday - which was fairly unusual for a non-farm girl in the late 50s and early 60s - she would also occasionally show up at the Smith home sporting a pair of overhauls. Ingy had very long hair that was always in pigtails. I never once saw her without pigtails.

Ingy wasn't a sports-playing tomboy. She was more of a "let's go explore" type tomboy. In retrospect I realize that Ingy was a female Huck Finn. This probably explains the considerable affection for that literary character that I developed later in life - not to mention my lifelong attraction to women with tomboyish traits - but that's another blog entry (or therapy session perhaps).

Ingy and I would spend entire days digging for rocks to add to my rock collection. We also spent hours swinging on the swing set at Mote Park, talking each others ears off as we would swing. And when we weren't digging for rocks or talking on the swings, it seemed like we were constantly walking somewhere - although for the life of me I cannot recall ever arriving anywhere in particular. We would just walk forever and for no apparent reason.

The one distinct memory that I do have from my friendship with Ingy is that we also sang a lot when we were swinging or walking. It is especially noteworthy that we sang as often as we did because our repertoire consisted of one single song - sung over and over again. Truth be told, it wasn't even an entire song. It was the chorus of a song - sung over and over again:



"You take the high road
And I'll take the low road
And I'll get to Scotland before you
'Cause me and my true love
Will never meet again
On the bonny bonny banks of Loch Lomond"




I don't think either one of us knew what the song was about, but we did know that it was awfully pretty and a lot of fun to sing together, and that was all that mattered.

Today when I look at the only two photos that I have of Ingy something that I was oblivious to at the time becomes fairly obvious:

Ingy was beautiful.  


Pig tails and chestnut eyes as deep as the Loch Lomond that we sang about.  

I sometimes wonder when I would have noticed this had our family stayed in Piqua and not moved to Dayton.

I never saw Ingy again after we left Piqua, but interestingly enough my late sister Peggy heard a couple of decades ago that Ingy was living in Dayton and working as a nurse.  If that is the case then it would appear that no matter how many times we sang about it, neither one of us quite made it to Loch Lomond. Nevertheless I can't help but feel at this point in my life that those 2-3 years with Ingy were *it* for me.  They were the place that I will always long to be: in mind, body, and spirit.

I am certain that the majestic shores and cliffs of Scotland are quite noble, but if given the choice between the Scottish highlands and those early days in Piqua, I would choose the latter in a heartbeat. 


For just one more chance to explore those wide-eyed days of innocence and wonderment with Ingy, I would take the high road, the low road - or whatever road was needed - to get me there again.

This is my song for you Ingy:

http://youtu.be/feLT7Btuqpc











.

Sadly Beautiful Song Series, Song #3

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. .... .. . "this boy" . . . . . . . .. . . .. . .. . . . "ingy"

. . . . . . . . . . . . .. . . .. . . . . . . . "that boy"


"This Boy"
THE BEATLES

http://www.youtube.com/watch?v=Pxxp5e_CReo




THIS BOY

(Lennon/McCartney)

That boy took my love away
Oh, he'll regret it some day
But this boy wants you back again

That boy isn't good for you
Though he may want you too
This boy wants you back again

Oh, and this boy would be happy
Just to love you, but oh my, oh-oh-0h
That boy won't be happy
till he's seen you cry

This boy wouldn't mind the pain
Would always feel the same
If this boy gets you back again

This boy . . .
This boy . . .



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Thursday, May 7, 2009

Pomp And Circumcision





Everyone knows that in English "parade" starts with a "p" but it would appear that in Japanese "parade" starts with a "pee-pee."

That's because today is "National Penis Holiday" in Japan(?!)

Now personally I have always considered *every day* to be "National Penis Day," but I had no idea what the Japanese were up to all these years.


All I can say is this: "Hey guys - too bad you didn't think about teaming up a couple of these parade monstrosities with Mothra back in the mid-60s.
I can't help but think that Japanese culture would have improved tenfold (*at least*) if Mothra would have had some help against Ghidorah The Three-Headed Monster (1964)"



. . . . May 7th: Japanese "National Penis Holiday"













"i'm turning japanese
.i think i'm turning japanese
.i really think so"
.(t. vapors)






[A great big shout-out to my good pal Sylvia for bringing this festive occasion to my attention. If there is one thing that we have all learned from Elton, Dionne, Stevie, and Gladys, it's this: "that's what friends are for"]


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Wednesday, May 6, 2009

Sadly Beautiful Song Series, Song #2





I stumbled onto the music of Richard and Linda Thompson in 1975 at the barely ripe age of 21 when I purchased their album Pour Down Like Silver for 33 cents at a wholesale record sale in the Eastown Shopping Center on Linden Avenue in Dayton, Ohio.

It was love at first sound.


Even though Richard and Linda have long since parted ways, they are without question my favorite male/female singing duo. They
released 5 or 6 albums as a couple while dabbling a bit with Sufism, and then divorced soon after the album Shoot Out The Lights was released in 1982.

Oddly enough, unlike most marriages, you can pretty much pinpoint exactly when things ended for the Thompsons. In 1983, in the middle of one of Richard's legendary blistering electric guitar solos, Linda strolled across stage and konked him over the head with an empty wine bottle.


True story.


Richard remains one of my favorite songwriters to this day: in the top five easily, maybe even the top three. And as far as guitar playing goes . . . I'll take Pete Townshend if I'm watching, but give me Richard Thompson if I'm listening.


Alrighty then . . . enough of this idle gossip and back and forth chit-chat with myself. Let's hear some music!



"A Heart Needs A Home"
RICHARD & LINDA THOMPSON

http://www.youtube.com/watch?v=JD4Qz51CWR4





A HEART NEEDS A HOME
(R. Thompson)

I know the way
That I feel about you
I'm never going to run away
I'm never going to run away
Never knew the way
When I lived without you
I'm never going to run away
I'm never going to run away

I came to you when
No one could hear me
I'm sick and weary
Of being alone
Empty streets and
Hungry faces
The world's no place when
You're on your own
A heart needs a home

Some people say
That I should forget you
I'm never going to be a fool
I'm never going to be a fool
A better life they say
If I'd never met you
I'm never going to be a fool
I'm never going to be a fool

Tongues talk fire and
Eyes cry rivers
Indian givers
Hearts of stone
Paper ships and
Painted faces
The worlds no place when
Your'e on your own
A heart needs a home




[PLEASE NOTE: I guarantee you that Richard and Linda Thompson will be making a return engagement on the Sadly Beautiful Song Series, but in the meantime if you enjoyed the above song and are jonesin' for something right now, check out Richard performing the song "Beeswing" in the blog entry below titled "My Top Ten Heartbreaking Songs"]








"you got my soul
.sadly, beautiful"

.(p. westerberg)

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Sadly Beautiful Song Series, Song #1

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Welcome to the "Sadly Beautiful Song Series" wherein I, your trusted and much loved blogger, will select one song that rips my heart out because it is (you guessed it!) both sad & beautiful.

Batting lead-off we have my personal pick for the best anti-war song of the last 50 years. Perhaps you are thinking right now "Anti-war song?! - Oh yuck!" Please rest assured that this song is no ham-fisted, proselytizing political rant. It's actually quite elegant and has always struck me as a musical version of Stephen Crane's short novel The Red Badge Of Courage. And to this day, after probably some 100 listens or so, Mark Knopfler's glorious yet mournfully understated guitar playing still transforms my flesh into a field of geese.

So without further aideu here is:

"Brothers In Arms"
DIRE STRAITS


(original album version - recommended):

http://www.youtube.com/watch?v=k5JkHBC5lDs


(live with string quartet):
http://www.youtube.com/watch?v=jbZRbBskloE




BROTHERS IN ARMS
(M. Knopfler)

These mist covered mountains
Are a home now for me

But my home is the lowlands

And always will be


Some day you'll return to

Your valleys and your farms

And you'll no longer burn

To be brothers in arms


Through these fields of destruction

Baptisms of fire

I've witnessed your suffering

As the battles raged higher


And though they hurt me so bad

In the fear and alarm
You did not desert me

My brothers in arms


There's so many different worlds

So many different suns

And we have just one world

But we live in different ones


Now the sun's gone to hell

And the moon's riding high
Let me bid you farewell

Every man has to die

But it's written in the starlight

And every line on your palm

We're fools to make war

On our brothers in arms









"you got my soul
.sadly, beautiful"

.(p. westerberg)

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Tuesday, May 5, 2009

The Fifth Of May!





. . . .. . . . . .... . . . . . . "Happy Cinco de Milo!"






. . . . . . . . . . . . . .. . . "Happy Sinko de Mayo!"
















p.s. my bad.

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Saturday, May 2, 2009

Seven Songs From The Razor Blade Brigade




These songs kill me.



The Razor Blade Brigade:


John Lennon "Mother"


Ron Sexsmith "Secret Heart"


The Band "Whispering Pines"


The Go-Betweens "Dusty In Here"




Sonic Youth "Superstar"


Patti Smith "Elegie"



"all the fire is frozen
yet still i have the will"
(p. smith)



My Top Ten Heartbreaking Songs

.



Hey there,

A friend of mine, who for the sake of this blog entry we will refer to as "Mark," was sent a list of the "top 50 most heartbreaking songs" from a mutual fren who we'll call "Gwen." Mark sent that list to me with his own top ten list. Awhile later I sat down to work on my mine and eventually stopped at thirty-eight songs.

Now I've been known to frequently confuse "sad" and "beautiful." A therapist once told me that may actually be part of my "problem." I gave that some thought and took immediate action.

I started seeing a different therapist the following week.

[boom boom CHSSS]


But that's another blog entry.

As fate would have it, one of my favorite songwriters, the painfully underrated Paul Westerberg (formerly of the equally painfully underrated band The Replacements), latched onto my "sad/beautiful" dilemma with a sad *and* beautiful song called - you guessed it! - "Sadly, Beautiful":

"baby needs a brand new pair of eyes
cause the ones you got now only see goodbyes
had no chance at all to let you know
you left me sadly, beautiful
you left me sadly, beautiful"
(p. westerberg)

So what the hell . . . if it's alright by Paul, it's alright by me (therapy be damned!)

The following songs have been known to literally make me grab for my heart the second they begin to play (heh, heh - I originally typed "garb for my heart" - I guess I was being protective), and/or stop everything that I am doing and pull over to the side of the road - both figuratively in a "life sense" and literally in a "driving sense." This first list (yes, that is a threat) contains a lot of oldies that I grew up with. The next installment will bring things a little more up-to-date. The songs are in random order and can be listened to as such (although the last two songs kill when listened to one right after the other).

So without further adieu, I present to you my first list of "Top Ten Heartbreaking Songs."

Oh wait - just one more dieu.

I have attached YouTube videos for your listening, and occasional, viewing pleasure:


1. Jimmy Cliff "Many Rivers To Cross"

http://www.youtube.com/watch?v=lkMzuXlKQv8


2. The Beatles "Julia"



3. Elvis Presley "Can't Help Falling In Love"



4. The Rolling Stones "Wild Horses"



5. Brook Benton "Rainy Night In Georgia"



6. Young At Heart (w/Fred Knittle) "Fix You"



7. James Carr "The Dark End Of The Street"



8. Bob Marley "Redemption Song"



9. Jimmy Ruffin "What Becomes Of The Broken Hearted?"



10. Gerry & The Pacemakers "Don't Let The Sun Catch You Crying"



10. Lenny Welch "Since I Fell For You"



10. Andy Williams "Moon River"



10. Mel Carter "Hold Me, Thrill Me, Kiss Me"



10. Paul Simon "American Tune"



10. Richard Thompson "Beeswing"



10. Johnny Cash "Hurt"




10. The Clash (w/Mikey Dread) "Shepherd's Delight"







That's it for tonight's show! The first installment in the "Top Ten Heartbreaking Songs" series.

This has been Wolfman Kev spinnin' all the hits for all you cool cats and cool kittens!

See you soon with another list!







This blog entry is dedicated to my sister.

Goddamn it Peggy ya big dummy. You woulda loved listening to these songs. You are so grounded for what you did. No WING-AM "Top 40" countdown for you in the basement tonight! Go to your room! And don't you come back down young lady until you're ready to behave and play fair!
.

Thursday, April 30, 2009

The Day I Fell In Love With A Dead Man

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Ok, so I'm driving down I-75 today minding my own business listening to the absolutely hideous soundtrack CD from the movie "
Harley Davidson and the Marlboro Man." A movie that "starred" Mickey Rourke and Don Johnson (of "Miami Vice" fame).

Why am I doing this you ask?

I'm doing this because . . . it's my job.

It's . . .

what I do.

Occasionally when I find a used CD to sell on eBay and it's a bit scuffed up or has a tiny bit of "digital rot," I have to give it a test run to make sure that it plays smoothly. Normally these CDs are fairly old and out-of-print, and as luck would have it, quite often they suck. Unfortunately, I have to play the CDs at high volumes so that I don't miss any possible defects, which means that many of these CDs not only suck, but they suck very loudly.

Well, the soundtrack to
"Harley Davidson and the Marlboro Man" was no exception. It was sucking right along as I headed south on I-75 this morning.

The opening number was the vacuum-inducing 7 minute and 15 second epic sleazefest titled "Long Way From Home" by the band
Copperhead. Then Roadhouse ratcheted up the suck quotient just a smidgin more when they unleashed the phallic-driven "Tower Of Love" like some chordless not to mention tuneless Dirt Devil pecker-upper. Then it was Shooting Gallery, L.A. Guns, and The Screaming Jets upping the suckfest ante with their contributions "I Mess Around," "C'Mon," and "Wild Obsession."

It was at the end of this barrage of collective suckage that the vacuum ceased to suck. And irony of ironies - I fell in love.

With a dead man.

Out of nowhere, on the "Harley Davidson and the Marlboro Man" soundtrack of all places, a slow, beautiful ballad that I had never heard before began to unfurl.

And then my skin.

My very flesh.

Commenced to make goose.

And as my eyes began to well-up with tears, I heard the most wonderful voice.

And I knew that it was none other than the late, great Waylon Jennings.Holy shit.

I mean - I knew the guy could sing the hell out of a song but . . . *damn*

I grabbed the CD case, scanned the track listing, and saw that the song was titled "Hardline" and that it was written by T. Kimmel/D. Morgan.

When I got home I immediately went online and discovered that Tom Kimmel wrote quite a few songs for such varied bands and individuals as The Byrds, Rodney Crowell, The Band, Tammy Wynette, Johnny Cash, and others. I also found out that the song was performed by 60s folkie Richie Havens on the motion picture soundtrack "Navy Seals." Apparently, Waylon's version is the keeper however, and since it doesn't show up anywhere else in his extensive catalog, there is a demand for my otherless dreadful soundtrack CD.

But enough already with my story, let's cut to the chase and hear the song.

[Note: YouTube indicates that the song is over eight minutes long but it's actually only a little over four. The song plays twice because I guess they figure, just like me, once won't be enough for you]:

http://www.youtube.com/watch?v=OLUoBNegZJU



" . . . sigh . . . "
(k. smith)









HARDLINE 
(T. Kimmel/D. Martin)   

Midnight, street light,  
Shadows, touch your face 
Whisper, goodnight, 
Though I want you so, to stay.  

I'm standing on the hardline, 
Taking my sweet time 
Praying that you'll see why, 
I'm slow to change.  

Been fighting on the front line, 
Victim of a heart crime 
Just can't let you steal mine, away 
Listen, reasons never will explain.  

Freedom, is just to save time, 
'Til I'm strong enough, 
To bend and not break.  

I'm standing on the hardline, 
Taking my sweet time 
Hoping that you'll see why, 
I'm slow to change.  

Well, I need your trust, 
Don't give up, don't shut me down, 
I'll open up, 
If you just try love my way.   

I'm standing on the hardline, 
Taking my sweet time 
Hoping that you'll see why, 
I'm slow to change.  

Been fighting on the front line, 
Victim of a hard crime 
Can't just let you steal mine away.

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Wednesday, April 29, 2009

Lemme Tell Ya 'Bout Your Blood, Bamboo Kid





I'm not usually a fan of various artists albums because they tend to stop and start and stumble along until they eventually get completely lost in a hodge-podge of artistic styles. And a CD where various artists cover songs written by various artists only seems to up the anti- (sic) even more.

That being said, I
stumbled upon the recent release WAR CHILD HEROES today. I suspect that it may have the same aesthetic issues mentioned above, but it's hard to deny the social and humanitarian importance of the project:


"WAR CHILD, an award winning charity that provides humanitarian assistance to war-affected children in some of the most devastated regions of the world, are proud to announce a unique and unprecedented collaboration between some of the biggest names in music history and today's hottest artists. We asked some of the biggest legends in music history
(Bob Dylan, Bruce Springsteen, The Kinks, The Clash, Brian Wilson, Stevie Wonder, Paul McCartney, Roxy Music, David Bowie) to select a classic track from their own songwriting catalog, and nominate an artist from the next generation (Beck, Lily Allen, The Hold Steady, Rufus Wainwright, Yeah Yeah Yeahs, TV On The Radio) to create a modern reworking of that classic song. The album WAR CHILD PRESENTS HEROES: AN ALBUM TO BENEFIT CHILDREN AFFECTED BY WAR is the result: 16 exclusive and truly inspired cover versions."


Lily Allen was picked by Mick Jones of The Clash to perform what I consider one of the most emotionally moving songs ever written, Straight To Hell by The Clash. Jones also sings back-up on the Allen version.

The song is about the tens of thousands of "Amerasian" kids (American fathers/Asian mothers) left to live in their own personal limbo after the "conflict" in Vietnam:

"lemme tell ya 'bout your blood, bamboo kid
.it ain't Coca-Cola, it's rice"



Below is the original song as recorded by The Clash 27 years ago in 1982, followed by Lily Allen's wonderful version from the newly released WAR CHILD PRESENTS HEROES album. The song's lyrics are also included below.

The Clash "Straight To Hell"
http://www.youtube.com/watch?v=HQwm1v1R-qM

Lily Allen "Straight To Hell"
http://www.youtube.com/watch?v=MGL5EtYGGDM






Straight To Hell
(Joe Strummer/Mick Jones)


If you can play the fiddle
How's about a British jig and reel?

Speaking King's English in quotation

As railhead towns feel the steel mills rust water froze

In the generation

Clear as winter ice

This is your paradise


There ain't no need for ya
Go straight to hell boys


Ya wanna join in a chorus

Of the Amerasian blues?
When it's Christmas out in Ho Chi Minh City
Kiddie say papa papa papa papa-san take me home

See me got photo photo
photograph
Of you
mamma mamma mamma-san
Of you and mamma mamma mamma-san


Lemme tell ya 'bout your blood, bamboo kid

It ain't Coca-Cola, it's rice.

Straight to hell


Oh papa-san

Please take me home

Oh papa-san

Everybody they wanna go home


So mamma-san says

You wanna play mind-crazed banjo

On the druggy-drag ragtime U.S.A.?

In Parkland International

Hah! Junkiedom U.S.A.

Where procaine proves the purest rock man groove
and rat poison
The volatile Molatov says -


Heh-heh-heh-heh-heh-heh . . .
Go straight to hell

Can you really cough it up loud and strong
?
The immigrants
they wanna sing all night long
It could be anywhere

Most likely could be any frontier

Any hemisphere

No man's land

There ain't no asylum here

King Solomon he never lived round here


Go straight to hell boys





















this blog entry is dedicated to Joe Strummer (1952 - 2002),
lyricist/vocalist extraordinaire, heart extra-large, human extra-being











"'oh papa-san
.please take me home' . . .
.go straight to heaven joe
.do not pass 'go' joe"
.(k. smith)

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